A Life in Words

Two geniuses in the same family—how likely is that? 

When we hear the name Gershwin, we think of George, the gifted composer of popular music (“The Man I Love,” “Let’s Call the Whole Thing Off,” “They Can’t Take That Away from Me”) and, at the end of his life, orchestral music (“Rhapsody in Blue,” “An American in Paris,” “Porgy and Bess”).  

What we rarely think of is George’s older brother Ira (shown here on the left), perhaps as much a genius with words as George was with music. The two combined on most of their songs, creating a miraculous album of American music.  

A lyricist myself, I developed a special interest in Ira’s work. His words had a precision and warmth that I’ve always admired. Also, he wrote one of the finest books on the subject, Lyrics of Several Occasions.

Now, to go with that volume, is a new biography, Ira Gershwin: A Life in Words. Reading it recently brought Ira’s work and genius into the light, and I highly recommend it.

The book is filled with examples of his work. For instance, the following lyric, one of his best, was addressed to his brother, whose early death nearly broke Ira’s heart.   

     In time the Rockies may crumble,
     Gibraltar my tumble
     (They’re only made of clay),
     But—our love is here to stay.

Those who know of his work with George may not be aware that Ira, after a devastating pause to mourn his brother, went back to work, writing lyrics mostly in movies for such songwriting giants as Jerome Kern, Harry Warren, and Harold Arlen.   

The next time you hear a Gershwin song, don’t forget that it was created by two people, not one, and they grew up in the same family.